越前和紙 ： 福田忠雄 （福井県指定無形文化財）

越前和紙 ： 福田忠雄 （福井県指定無形文化財）



2010/04/04 にアップロード

福井県指定無形文化財　墨流し　保持者・伝統工芸士の福田忠雄氏。墨流しの技術は、平安時代にその歴史を遡ることがで­きるとされます。一度しかできない文様墨流しの文様。織り成す模様は、まさに変幻自在­です。

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How to Paint on Water as Paper Marbling with Ebru Art



2014/04/08 に公開

Free video about marbling Art. This free video was created for you by http://epsos.de and can be used for free under the creative commons license with the attribution of epSos.de as the original author of this marbling Art video.

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Marble paper (also: marbled paper, Turkish paper, Venetian paper ; Turkish ebru and Persian abri ) is defined as decorated with various special process of hand sheets of paper which have been increased since the 18th Century, but partly also today as a coating material for hand-bound books, as endpapers, for the lining of outer covers, office containers and furniture were used. Recently, they are used as wrapping paper for luxury goods.

The production of traditional handmade marbled paper, which in Japan was already known in the year 1000, like that of a marble-section. A shallow pool is filled with the so-called sizing; this is a jelly, prepared by dissolving gum tragacanth in water, boiling of Irländischem moss (also carrageenan moss, Chondrus crispus), or by a solution of methyl cellulose in water is prepared. The coating is scraped off. Now the Leimbades be on the flat surface of watercolor paints applied with ox bile are offset. This addition serves to reduce the surface tension of the ink so that it can spread to the surface of the wash. The color can not mix with itself or the other colors because of the consistency of the size. Therefore, the colors can now be brought into ornamental Schlieren patterns with different techniques, some of natural marble are similar - hence the name, marbled paper '. Now a heavy sheet of paper before with alum water was stained, carefully laid on the glue bath, and then lifted off again. The paint sticks to the paper. Then the remains of the sizing be rinsed with water. The mordant with alum solution is to ensure that the color will not mitabgespült in rinsing the glue residue. The color combines with the subsequent drying permanently to the paper.

In addition to the traditional production with watercolor paints can also be oil colors are marbled. This technique allows even without a jelly as a base in a water bath to bare marble. However, the results generally remain well behind those of the marble paper on the basis of watercolor paints, as the pattern of the paper can not be so largely control as in the traditional manufacturing. With oil colors marbled papers in particular have a specific granular appearance that does not meet the fineness of a marble on watercolor paper base.

Marble paper is a high quality finished paper: Each sheet represents a unique, because not repeat the pattern exactly even with the same procedure; In addition, also occurs within an arc of not an exact repeat of the pattern, as is the case with other decorative techniques. Marble paper as a coating material and endpapers made ​​for earlier books throughout Europe and used, especially in England. Today, marble papers is particularly produced and sold in Venice. In addition to the real marble paper, there are also cheap imitations, the pattern in ordinary color printing reproductions.

Depending on the way in which the colors, syringes, Dot, spraying, etc. and the subsequent treatment gives rise to various ornaments. Especially typical are spotted patterns that real marble come closest, as well as wave-like patterns that occur when you move a comb through the color layer. Also whirling motion whisked etc. variants occur; ultimately are the imagination hardly any limits. From Turkey comes about the custom to draw flowers pictures on the glue. The term Ebru is also used as the specific name patterns of the latter technique. By controlled movement of the paper upon application to the size of the pattern can be influenced in a specific form. Here, dark stripes that break through the other marble pattern regularly result.

The marbling is a primer wet surfaces by which the technician gets reasons similar to those of marble or other stone. These patterns are obtained by the flotation of colors on the surface of water or as a viscous solution called glaze and by the application of the colors on a sheet (or other surfaces such as fabrics). This type of ornament has been used throughout the centuries to decorate all kinds of surfaces. It is often used as a medium for writing in calligraphy, for posters and guards and flat-paper binding. Each project has a different layout and gives a unique character to the object it covers.

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