アップロード日: 2011/11/19
【About the film】
SYNOPSIS AND NEWS
概要とニュース
In suburban Buenos Aires, thirty unemployed auto-parts workers walk into their idle factory, roll out sleeping mats and refuse to leave.
ブエノスアイレス郊外では、三十名の無職の工員が休止中の自動車部品工場に入り込んで
All they want is to re-start the silent machines. But this simple act - The Take - has the power to turn the globalization debate on its head.
彼らの要望は、サイレントマシンを再起動することです。しかし、この単純な行為 The Takeは - グローバル化の議論を逆転させるための効力を持っている。
In the wake of Argentina's dramatic economic collapse in 2001, Latin America's most prosperous middle class finds itself in a ghost town of abandoned factories and mass unemployment. The Forja auto plant lies dormant until its former employees take action. They're part of a daring new movement of workers who are occupying bankrupt businesses and creating jobs in the ruins of the failed system.
2001年のアルゼンチンの飛躍的な経済崩壊を契機として、ラテンアメリカで最も裕福
But Freddy, the president of the new worker's co-operative, and Lalo, the political powerhouse from the Movement of Recovered Companies, know that their success is far from secure. Like every workplace occupation, they have to run the gauntlet of courts, cops and politicians who can either give their project legal protection or violently evict them from the factory.
しかしフレディ、新しい労働組合の委員長やラロ、復活した企業からの政治の原動力とな
The story of the workers' struggle is set against the dramatic backdrop of a crucial presidential election in Argentina, in which the architect of the economic collapse, Carlos Menem, is the front-runner. His cronies, the former owners, are circling: if he wins, they'll take back the companies that the movement has worked so hard to revive.
労働者の闘争の話は、経済崩を牽引し構築した、アルゼンチンのカルロスメネムの重要な
Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.
slingshotsと現場の民主主義の揺るぎない信念に武装し、労働者は、上司や銀
With The Take, director Avi Lewis, one of Canada's most outspoken journalists, and writer Naomi Klein, author of the international bestseller No Logo, champion a radical economic manifesto for the 21st century. But what shines through in the film is the simple drama of workers' lives and their struggle: the demand for dignity and the searing injustice of dignity denied.
テイクは、ディレクターとしてアビ・ルイス、カナダで最も率直なジャーナリストの一人
SYNOPSIS AND NEWS
概要とニュース
In suburban Buenos Aires, thirty unemployed auto-parts workers walk into their idle factory, roll out sleeping mats and refuse to leave.
ブエノスアイレス郊外では、三十名の無職の工員が休止中の自動車部品工場に入り込んで
All they want is to re-start the silent machines. But this simple act - The Take - has the power to turn the globalization debate on its head.
彼らの要望は、サイレントマシンを再起動することです。しかし、この単純な行為 The Takeは - グローバル化の議論を逆転させるための効力を持っている。
In the wake of Argentina's dramatic economic collapse in 2001, Latin America's most prosperous middle class finds itself in a ghost town of abandoned factories and mass unemployment. The Forja auto plant lies dormant until its former employees take action. They're part of a daring new movement of workers who are occupying bankrupt businesses and creating jobs in the ruins of the failed system.
2001年のアルゼンチンの飛躍的な経済崩壊を契機として、ラテンアメリカで最も裕福
But Freddy, the president of the new worker's co-operative, and Lalo, the political powerhouse from the Movement of Recovered Companies, know that their success is far from secure. Like every workplace occupation, they have to run the gauntlet of courts, cops and politicians who can either give their project legal protection or violently evict them from the factory.
しかしフレディ、新しい労働組合の委員長やラロ、復活した企業からの政治の原動力とな
The story of the workers' struggle is set against the dramatic backdrop of a crucial presidential election in Argentina, in which the architect of the economic collapse, Carlos Menem, is the front-runner. His cronies, the former owners, are circling: if he wins, they'll take back the companies that the movement has worked so hard to revive.
労働者の闘争の話は、経済崩を牽引し構築した、アルゼンチンのカルロスメネムの重要な
Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.
slingshotsと現場の民主主義の揺るぎない信念に武装し、労働者は、上司や銀
With The Take, director Avi Lewis, one of Canada's most outspoken journalists, and writer Naomi Klein, author of the international bestseller No Logo, champion a radical economic manifesto for the 21st century. But what shines through in the film is the simple drama of workers' lives and their struggle: the demand for dignity and the searing injustice of dignity denied.
テイクは、ディレクターとしてアビ・ルイス、カナダで最も率直なジャーナリストの一人
The Take ナオミ・クライン 2/9 (日本語字幕) #TPP #IMF_TKY
公開日: 2012/04/04
Description from: http://thetake.org/index.cfm?page_nam...
ブエノスアイレスの郊外で ３０人の失業した自動車部品工場の労働者は工場へ入り込み、布団を敷き立ち退きを拒み
彼らは工場の再開だけを望んでいた。しかし、このシンプルな抗議活動ｰThe Takeｰにはグーロバル化議論を覆す力があったのです。
２００１年の劇的な経済崩壊の結果、中南米で最も栄えていた中産階級の街は、大量の失
しかし、この運動は裁判所、警察、政治家などの対策をとってくれたり暴力的な強制排除
この労働者たちの苦闘の矛先はアルゼンチンの大統領選に向けられました。悲劇的なこと
装備はパチンコ。そして経営者や銀行家、彼らの愛する工場を鉄くずとしか見ない体制に
In suburban Buenos Aires, thirty unemployed auto-parts workers walk into their idle factory, roll out sleeping mats and refuse to leave.
All they want is to re-start the silent machines. But this simple act - The Take - has the power to turn the globalization debate on its head.
In the wake of Argentina's dramatic economic collapse in 2001, Latin America's most prosperous middle class finds itself in a ghost town of abandoned factories and mass unemployment. The Forja auto plant lies dormant until its former employees take action. They're part of a daring new movement of workers who are occupying bankrupt businesses and creating jobs in the ruins of the failed system.
But Freddy, the president of the new worker's co-operative, and Lalo, the political powerhouse from the Movement of Recovered Companies, know that their success is far from secure. Like every workplace occupation, they have to run the gauntlet of courts, cops and politicians who can either give their project legal protection or violently evict them from the factory.
The story of the workers' struggle is set against the dramatic backdrop of a crucial presidential election in Argentina, in which the architect of the economic collapse, Carlos Menem, is the front-runner. His cronies, the former owners, are circling: if he wins, they'll take back the companies that the movement has worked so hard to revive.
Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.
With The Take, director Avi Lewis, one of Canada's most outspoken journalists, and writer Naomi Klein, author of the international bestseller No Logo, champion a radical economic manifesto for the 21st century. But what shines through in the film is the simple drama of workers' lives and their struggle: the demand for dignity and the searing injustice of dignity denied.
_________________
In general, this documentary shows A) how neo-liberal politics can utterly destroy a country and B) how syndicalist and anarchist concepts can work today. (Which are exactly the concepts behind the resistance, although they seldom call themselves anarchist they certainly achieve what anarchists have been striving for for generations.)
ブエノスアイレスの郊外で ３０人の失業した自動車部品工場の労働者は工場へ入り込み、布団を敷き立ち退きを拒み
彼らは工場の再開だけを望んでいた。しかし、このシンプルな抗議活動ｰThe Takeｰにはグーロバル化議論を覆す力があったのです。
２００１年の劇的な経済崩壊の結果、中南米で最も栄えていた中産階級の街は、大量の失
しかし、この運動は裁判所、警察、政治家などの対策をとってくれたり暴力的な強制排除
この労働者たちの苦闘の矛先はアルゼンチンの大統領選に向けられました。悲劇的なこと
装備はパチンコ。そして経営者や銀行家、彼らの愛する工場を鉄くずとしか見ない体制に
In suburban Buenos Aires, thirty unemployed auto-parts workers walk into their idle factory, roll out sleeping mats and refuse to leave.
All they want is to re-start the silent machines. But this simple act - The Take - has the power to turn the globalization debate on its head.
In the wake of Argentina's dramatic economic collapse in 2001, Latin America's most prosperous middle class finds itself in a ghost town of abandoned factories and mass unemployment. The Forja auto plant lies dormant until its former employees take action. They're part of a daring new movement of workers who are occupying bankrupt businesses and creating jobs in the ruins of the failed system.
But Freddy, the president of the new worker's co-operative, and Lalo, the political powerhouse from the Movement of Recovered Companies, know that their success is far from secure. Like every workplace occupation, they have to run the gauntlet of courts, cops and politicians who can either give their project legal protection or violently evict them from the factory.
The story of the workers' struggle is set against the dramatic backdrop of a crucial presidential election in Argentina, in which the architect of the economic collapse, Carlos Menem, is the front-runner. His cronies, the former owners, are circling: if he wins, they'll take back the companies that the movement has worked so hard to revive.
Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.
With The Take, director Avi Lewis, one of Canada's most outspoken journalists, and writer Naomi Klein, author of the international bestseller No Logo, champion a radical economic manifesto for the 21st century. But what shines through in the film is the simple drama of workers' lives and their struggle: the demand for dignity and the searing injustice of dignity denied.
_________________
In general, this documentary shows A) how neo-liberal politics can utterly destroy a country and B) how syndicalist and anarchist concepts can work today. (Which are exactly the concepts behind the resistance, although they seldom call themselves anarchist they certainly achieve what anarchists have been striving for for generations.)
The Take ナオミ・クライン 3/9 (日本語字幕) #TPP #IMF_TKY
公開日: 2012/09/12
Help us caption and translate this video on Amara.org: http://www.amara.org/en/v/BZzd/
ブエノスアイレス郊外では、三十名の無職の工員が休止中の自動車部品工場に入り込んで
彼らの要望は、サイレントマシンを再起動することです。しかし、この単純な行為 The Takeは - グローバル化の議論を逆転させるための効力を持っている。
2001年のアルゼンチンの飛躍的な経済崩壊を契機として、ラテンアメリカで最も裕福
しかしフレディ、新しい労働組合の委員長やラロ、復活した企業からの政治の原動力とな
労働者の闘争の話は、経済崩を牽引し構築した、アルゼンチンのカルロスメネムの重要な
slingshotsと現場の民主主義の揺るぎない信念に武装し、労働者は、上司や銀
テイクは、ディレクターとしてアビ・ルイス、カナダで最も率直なジャーナリストの一人
ブエノスアイレス郊外では、三十名の無職の工員が休止中の自動車部品工場に入り込んで
彼らの要望は、サイレントマシンを再起動することです。しかし、この単純な行為 The Takeは - グローバル化の議論を逆転させるための効力を持っている。
2001年のアルゼンチンの飛躍的な経済崩壊を契機として、ラテンアメリカで最も裕福
しかしフレディ、新しい労働組合の委員長やラロ、復活した企業からの政治の原動力とな
労働者の闘争の話は、経済崩を牽引し構築した、アルゼンチンのカルロスメネムの重要な
slingshotsと現場の民主主義の揺るぎない信念に武装し、労働者は、上司や銀
テイクは、ディレクターとしてアビ・ルイス、カナダで最も率直なジャーナリストの一人
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The Take ナオミ・クライン 4/9 (日本語字幕) #TPP #IMF_TKY
公開日: 2012/09/11
説明はありません。
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The Take ナオミ・クライン 5/9 (日本語字幕) #TPP #IMF_TKY
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The Take ナオミ・クライン 6/9 (日本語字幕) #TPP #IMF_TKY
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公開日: 2012/09/16
ブエノスアイレス郊外では、三十名の無職の工員が休止中の自動車部品工場に入り込んで
彼らの要望は、サイレントマシンを再起動することです。しかし、この単純な行為 The Takeは - グローバル化の議論を逆転させるための効力を持っている。
2001年のアルゼンチンの飛躍的な経済崩壊を契機として、ラテンアメリカで最も裕福
しかしフレディ、新しい労働組合の委員長やラロ、復活した企業からの政治の原動力とな
労働者の闘争の話は、経済崩を牽引し構築した、アルゼンチンのカルロスメネムの重要な
slingshotsと現場の民主主義の揺るぎない信念に武装し、労働者は、上司や銀
テイクは、ディレクターとしてアビ・ルイス、カナダで最も率直なジャーナリストの一人
彼らの要望は、サイレントマシンを再起動することです。しかし、この単純な行為 The Takeは - グローバル化の議論を逆転させるための効力を持っている。
2001年のアルゼンチンの飛躍的な経済崩壊を契機として、ラテンアメリカで最も裕福
しかしフレディ、新しい労働組合の委員長やラロ、復活した企業からの政治の原動力とな
労働者の闘争の話は、経済崩を牽引し構築した、アルゼンチンのカルロスメネムの重要な
slingshotsと現場の民主主義の揺るぎない信念に武装し、労働者は、上司や銀
テイクは、ディレクターとしてアビ・ルイス、カナダで最も率直なジャーナリストの一人
============================================================
The Take ナオミ・クライン 7/9 (日本語字幕) #TPP #IMF_TKY
============================================================
The Take ナオミ・クライン 8/9 (日本語字幕) #TPP #IMF_TKY
公開日: 2012/09/15
説明はありません。
============================================================
The Take ナオミ・クライン 9/9 (日本語字幕) #TPP #IMF_TKY
公開日: 2012/09/17
Help us caption and translate this video on Amara.org: http://www.amara.org/en/v/BZyv/
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